EVENTS


UNweaving the WILDerness
Oct
28

UNweaving the WILDerness

Join the artist pattie beerens as she unpicks her ideas and motivations around Unmaking and UNweaving.

pattie will practice UNweaving every day between the 25th and 28th of October. You are encouraged to UNweave and ponder the act of UNmaking with her between 2pm and 3pm each day.

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UNweaving the WILDerness
Oct
27

UNweaving the WILDerness

Join the artist pattie beerens as she unpicks her ideas and motivations around Unmaking and UNweaving.

pattie will practice UNweaving every day between the 25th and 28th of October. You are encouraged to UNweave and ponder the act of UNmaking with her between 2pm and 3pm each day.

View Event →
UNweaving the WILDerness
Oct
26

UNweaving the WILDerness

Join the artist pattie beerens as she unpicks her ideas and motivations around Unmaking and UNweaving.

pattie will practice UNweaving every day between the 25th and 28th of October. You are encouraged to UNweave and ponder the act of UNmaking with her between 2pm and 3pm each day.

View Event →
UNweaving the WILDerness
Oct
25

UNweaving the WILDerness

Join the artist pattie beerens as she unpicks her ideas and motivations around Unmaking and UNweaving.

pattie will practice UNweaving every day between the 25th and 28th of October. You are encouraged to UNweave and ponder the act of UNmaking with her between 2pm and 3pm each day.

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Other People - Zoë Sydney.
Aug
18
to 29 Aug

Other People - Zoë Sydney.

OTHER PEOPLE

“Other People” is a series of portraits that explore the struggles of Queer representation and visibility. These “self portraits” are not actually of the artist, but rather of AI generated people based on a physical description of the artist. For trans people, the public face is often a site of struggle. The gendered assumptions that are read onto a face make the face a site of conflict. “Other People” challenges the fundamental tenet of the portrait - that a person’s face can give us some truth about them. The portraits are first based on AI generated images, which are then painted onto calico and then cut out and stuffed. Then, in collaboration with artificial intelligence, videos are layered over the paintings in augmented reality. THe faces ‘speak; in AR, reading poetry written by the artist in the artist’s voice. This gives the faces an added agency in the space.

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